yeah, i’m a film student now. i watch films. i write essays on them or prompts or whatever. i must consider composition like i plan for it, and map out shots before i see them. it’s a weird and new process.
for class i wrote,
“what are the major elements of composition that the coen brothers employ in fargo (1996) that give the film it’s uniquely thrilling and unsettling feel and atmosphere? more specifically, what aspect of composition—framing, staging, or photography—do they seem to rely on most to achieve this?
personally, what struck me most about fargo’s composition was it style of photography. oftentimes, the coen brothers abruptly switch between perspectives—contrasting extreme long shots with close-ups or medium shots. especially in a place so barren and lifeless as minnesota and north dakota, the prolonged extreme long shots provided the film with an even more eerie and mysterious atmosphere. not only that, but they are strangely and starkingly* beautiful—being my favorite detail of this film.”
i’m a film student now.